TAA * Text and Academic Authors Association
TAA CouncilAbout TAAContact TAAWorkshopsAwardsAction IssuesMediaBooks for PurchaseLinks
Industry NewsTAA Notes
TAA Members Only
TAA Member Center Home
Renewing Members
>
Give a gift membership

Member Communication
>
TAA News Alert Archive
>
Sign up for TAA Listservs
>
The Academic Author newsletter archive
>
President's Messages
>
Executive Director's Messages
>
Associate Executive Director's Messages

Member Spotlight
>
Featured Member Profile
>
Busy TAA People
>
Share your news

TAA Conference
>
Upcoming Conference
>
Conference Archive

Member Departments
>
How-to articles
>
Authors Asking
>
Author Interviews
>
Writer's Block Essays
>
Text and Academic Authoring Columns
>
Notable Author Profiles
>
Book Reviews

Member Benefits
>
Mentoring Directory
>
TAA Teleconferences
>
TAA Publication Grants for Academic Authors
>
Promote Your Books on the TAA site

Member Discounts
>
Editing Services
>
Books, Courier Services, Legal
>
Literary Agent, Publishing Law Lawyer Referral List

Recommended Reading
>
Textbook Authors
>
Academic Materials Authors

Member Documents
>
TAA By-Laws
>
TAA Budget Information
>
Authors Coalition Survey (PDF)
>
TAA Committees
>
TAA Position Statement on the Academic Value of Textbooks (PDF)
>
Textbook Contracts: A Guide
>
Guidelines for Writing a Nonfiction Book Proposal (PDF)

Council of Fellows
>
Fellows List

Write for TAA
>
Writer's Guidelines




Logins

 


Your Member Info  |  Logout  |   Search the TAA site:

How-to Articles
< back to full article list
< back to academic authors article list
< back to textbook authors article list

Textbook author shares her experience working with literary agent

Dr. Cynthia Arem hired literary agent Michael Lennie of Lennie Literary & Authors Attorneys to negotiate the contract for her most recent book,  Conquering Writing Anxiety. He is also negotiating the terms for her Conquering Reading Anxiety book, which is in the proposal stage, and negotiating the terms for the third edition of her Conquering Math Anxiety: A Self-Help Workbook with CD, 2nd Edition, published by Brooks/Cole. 

"I previously negotiated my own contracts, and in retrospect, realized that I gave too many of my rights away, and I was missing important clauses in the contracts; clauses which would have been to my benefit," she said. "I find that my agent fights for me. I don't have to deal with contract negotiations with my publisher. My agent knows contract law and works to get me the best contract terms an author can get."

Before hiring a literary agent, said Arem, interview him or her to make sure you and the agent are a nice fit: "Make sure your agent believes in your book project. Your agent should work for you and get the best publishing deal he or she can." Lennie was recommended to her by one of her writing mentors.

The role of a literary agent is different than that of an authoring attorney, she said, in that when you hire an attorney, you pay per hour for his or her assistance. When you hire a literary agent, said Arem, the agent will get a percentage of the royalties and the agent will stay with the book project as it unfolds to make sure the publisher follows through. "I will be paying 15 percent of my royalties and my advance to my agent, but I think it is worth it," she said.

Once you've hired a literary agent, said Arem, you should not discuss contract terms with the publisher and you should leave all negotiations to the agent.

 

TAA Home | TAA Council | About TAA | Contact TAA | Workshops | Awards | Action Issues | Media | Books for Purchase | Links | Industry News | TAA Notes

Copyright 2008 by Text and Academic Authors Association. All rights reserved. Disclaimer

TAA is a member of the Authors Coalition of America (ACA) and is an Associate Member of the International Reprographic Rights Organization (IFRRO).

 

TAA Home Council & Committee Only TAAF Board of Directors