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Publish
and Flourish:
This workshop, the first in TAA's Academic Authoring Workshop series, helps authors become more prolific. The myth persists that prolific scholars are born not made, but research suggests otherwise. Much is known about how to become prolific, and participants in Tara Gray's "Publish & Flourish: Become A Prolific Scholar" workshop will learn about several of them, including:
Participants will apply these steps to one of their own manuscripts that they bring to the workshop. A workshop day includes one five- or four-hour workshop or two three- or two-hour workshops. This workshop is offered by Tara Gray (bio). What previous participants have said about Gray's workshop:
Writing for Publication
"Writing for Publication" is a practical, hands-on workshop designed to remove the fear that blocks writers. Get the nuts and bolts facts needed to succeed and enjoy writing for publication from Kenneth Henson, who has written and co-authored more than 300 national publications.
This workshop is offered by Kenneth Henson (bio). Here's what participants had to say after attending a recent workshop by Ken Henson:
Academic
Publishing Workshop
This workshop, the second in TAA's Academic Authoring Workshop Series, is led by distinguished scholar and editor Dr. Robert Ginsberg. This multi-part workshop on academic publishing, led by award-winning scholar and editor Dr. Robert Ginsberg, will expand the understanding of faculty members about their opportunities and challenges, their rights and responsibilities, as they engage in publishing. The Workshop format includes hands-on participation, show-and-tell activity, behind-the-scenes reporting, round-table editing, and question-and-answer sessions. Host institutions can customize their Workshop by choosing among eight different sessions, each lasting two hours. A full day Workshop consists of two sessions, a Workshop of a day and a half consists of three sessions, and a two-day Workshop consists of four sessions. The eight sessions available for Dr. Ginsberg's Workshop are: 1. WHY SHOULD YOU PUBLISH? Frank assessment of the academic imperative, "Publish or Perish." Publishing as an extended form of teaching. Publishing as the pursuit of research. Publishing as a contribution to an academic discipline. Publishing as the continued development of a faculty member. 2. HOW TO GET YOUR SCHOLARLY BOOK PUBLISHED. Preparing the book. Anatomy of a book: Preface, Acknowledgments, Introduction, Chapters, Illustrations, Notes, Bibliography, Appendix, Index. Identifying the book's audience and contribution. Searching for the needle of a publisher in the haystack of publishing. Studying the contract. Text-Editing. Copy-editing. Proofreading. Marketing. 3. HOW TO BECOME PUBLISHED BY SCHOLARLY JOURNALS: CONFESSIONS OF AN EDITOR. The special function of periodicals in the academic world. Finding journals appropriate for your work. The formats of journal publishing: articles, reports, book reviews, letters, special issues. The discipline of writing for periodicals: house style, revision, length limits, deadlines, final copy, abstract, offprints. 4. WRITING AS COMMUNICATION: HOW TO CUT THE CRAP OF ACADEMIC STYLE. The principles of good style: clarity, simplicity, directness. Recognizing bad style in the writing of others. Recognizing bad style in your writing. Editing yourself to become an effective writer. Unclogging your reference system. Eliminating junk phrasing. Activating your active voice. Learning to love the comma. 5. HOW TO TURN A SCHOLARLY CONFERENCE INTO AN EDITED BOOK. A unified book vs. a set of proceedings. Chapters vs. papers. Planning the conference. Landing the contract. Editing the contributions. Riding herd on your authors: deadlines and lifelines. Dealing with pressures. Going to press. 6. COPYRIGHT: GETTING IT RIGHT! A non-technical introduction to what every teacher, author, and editor should know about intellectual property, rights, fair use, quotation, paraphrase, plagiarism, permission, piracy, public domain, royalties, translation, and copying. Horror stories and words of consolation. 7. IS A TEXTBOOK YOUR NEXT BOOK? How to move from assigning textbooks to designing textbooks. Textbook publishing as competitive commercial activity. The textbook writer as member of the business team. Marketing, production values, permission fees, examination copies, displays, testimonials, royalties. How to edit selections for the use of students. How not to write like a professor. How to make your textbook attractive in the visual culture of the twenty-first century. Why you should work on the revised edition the day after your textbook appears in print. 8. EVERYBODY NEEDS AN EDITOR! REFLECTIONS ON THE ART OF EDITING. Editing as drawing out the best in a text. The editor as the author's best friend. The editor as the advocate for readers. The editor as expanding the outreach of an academic discipline. Editing as an art that can be learned with practice and shared with colleagues and students. Participants of Robert Ginsberg's TAA-sponsored workshop, "Writing as Communication: How To Cut the Crap of Academic Style," presented at New Mexico State University on December 7, 2006, had this to say about their experience: "Outstanding speaker. Practical advice. This workshop gave me the inspiration to try again!" This workshop is co-sponsored by the International Center for the Arts, Humanities, and Value Inquiry. This workshop is offered by Dr. Robert Ginsberg (bio). Destination Dissertation: Practical Strategies for Writing the Thesis or Dissertation
Designed for master's and doctoral students, this workshop, by Dr. Sonja Foss, a professor in the Department of Communication at the University of Colorado, and Dr. William Waters, coordinator of composition, director of the Writing Center, and an assistant professor in the English Department at Northwest Missouri State University, facilitates your progress on the journey that is the dissertation or thesis. In the workshop, writing a dissertation or thesis is presented as taking a tripyou are on vacation from normal routine for a fixed amount of time, you discover exciting things and develop new skills, and you know you'll be able to deal with whatever comes your way. The workshop focuses on those places where you tend to get delayed on your dissertation or thesis journey and provides practical and concrete processes for managing potential difficulties with ease. The topics covered in the workshop include:
The workshop can be either two or three hours long; the longer workshop allows for more of the topics to be covered. ------------
Other workshops offered by Foss and Waters: Sharing Results: Crafting an Article A workshop for professors who want to learn strategies for effectively crafting articles. This workshop provides you with an understanding of concrete, practical steps that produce a high-quality article efficiently. Both new and seasoned scholars will benefit from the innovative strategies presented. The topics covered in the workshop include:
The workshop can be either two or three hours long. The longer workshop allows for more of the topics to be covered. ------------ Individual Coaching to Facilitate Writing Progress Individual coaching sessions offer you the opportunity for personalized, individual time with two highly effective scholars and coaches. In individual conferences, Dr. Foss and Dr. Waters work individually with graduate students or faculty members to facilitate your progress on your writing project. These sessions take the form of intensive conversations about your project in which you will feel both supported and challenged as you talk through whatever aspect of your thesis, dissertation, book, or article is preventing you from completing your project. Participants discover that our friendly and supportive questions lead to profound insights that transfer into realistic expectations, clear goals, and useful strategies. The coaching sessions help you solve whatever your particular problem is, but typical topics that are covered in the coaching sessions are:
Foss and Waters also offer one or multiple days of coaching sessions to faculty or graduate students. The individual sessions can be 60, 90, or 120 minutes each. ------------ Here's what participants had to say after learning the strategies offered in workshops by Dr. Foss and Dr. Waters:
Biographies of Workshop Presenters Tara Gray, Ph.D., is an associate professor of criminal justice and the first director of the Teaching Academy at New Mexico State University (NMSU). She has published three books, including her most recent, Publish and Flourish: Become a Prolific Scholar. She has been honored at NMSU and nationally with seven awards for teaching or service. Gray has presented workshops to more than 3,000 scholars in more than 25 states, and in Thailand, Mexico, and Guatemala. Kenneth Henson Kenneth Henson has written and co-authored more than 300 national publications. His 40 books include five books on writing for publications and two Phi Delta Kappa fastbacks (monographs) on this topic. His biennial survey results have appeared in every other June issue of the Phi Delta Kappan for over 25 years. Henson has given this workshop on some 300 colleges campuses from coast to coast. Henson, the author of Grant Writing in Higher Education: A Step-by-Step Guide, also offers a workshop on "Writing Grant Proposals". Dr. Robert Ginsberg is Professor Emeritus of Philosophy and Comparative Literature at Pennsylvania State University, where he taught for 35 years. He is the Director of the International Center for the Arts, Humanities, and Value Inquiry. Ginsberg was the founder of the Jones and Bartlett Philosophy series of textbooks, the Social Philosophy Research Institute Book Series, the Value Inquiry Book Series, and the New Studies in Aesthetics book series. He has served as executive editor of The Journal of Value Inquiry. Over 200 volumes have appeared under his general editorship. One hundred seventy-three of his own writings have been published in five languages in nineteen countries on four continents. Sonja K. Foss is a professor in the Department of Communication at the University of Colorado Denver. Her research and teaching interests are in contemporary rhetorical theory and criticism, feminist perspectives on communication, the incorporation of marginalized voices into rhetorical theory and practice, and visual rhetoric. She is the author or coauthor of the books Destination Dissertation: A Traveler's Guide to a Done Dissertation, Rhetorical Criticism, Contemporary Perspectives on Rhetoric, Inviting Transformation, Feminist Rhetorical Theories, and Women Speak. Her essays in communication journals have dealt with topics such as invitational rhetoric, agency in the film Run Lola Run, feminine spectatorship in Garrison Keillor's monologues, visual argumentation, and body art. Dr. Foss earned her Ph.D. in communication studies from Northwestern University and previously taught at Ohio State University, the University of Oregon, the University of Denver, Virginia Tech, and Norfolk State University. William Waters is Coordinator of Composition, Director of the Writing Center, and an assistant professor in the English Department at Northwest Missouri State University. His research and teaching interests are in writing theory and practice, the history of the English language, linguistics, and modern grammar. He is the coauthor of Destination Dissertation: A Traveler's Guide to a Done Dissertation and was the managing editor of La Puerta: A Doorway into the Academy. He also has published several poems in national journals. Dr. Waters earned his Ph.D. in language and linguistics from the University of New Mexico and previously taught at the University of Maine; University College in Galway, Ireland; and Cheongbuk National University in Korea. |
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